Cob

2015

Thirteen public Schools in the north of Pará (Brasil)
November 2015


Universidade Federal Rural do Pará, 
November 2015


Casa dos Palhaços, Belem do Pará
Brasil. November 2015

2016

Public School, Brigadero Fontanelli, Belem do Pará, Brasil CACEM, Theatre School, Sao de Sao Luis de Maranhao.
February 2016


4 settlements from the MST (Rural Movement of Workers Without Land) Itapecurù.
Brasil. January – February 2016


Itinerant Theatre of the Sun, Villa de Leyva
Colombia, March 2016


Garage Theatre, Bogotá
Colombia, March 2016


Maloca, Botanical Gardens, Bogotá
Colombia, June 2016


Ecovillage Anaconda, Mocoa
Putumayo, July 2016


Aldea Nicho Cultural, Bogotà
Colombia August 2016


Tecal Theatre, Bogotá
September 2016


Cultural Centre Six hands, Bogotá
October 2016


Alas School, Cali
October 2016


District Prison, Transition Pavilion, Bogotá
Colombia, December 2016


Picota Prison, rehabilitation Pavilion, 
Bogotá, Colombia, December 2016

2017

Bogota Book Fair, Ministry of Education Stand
Bogotá, Colombia April 2017


Circus Tent  
Villa de Leyva, Boyacá, Colombia, March 2017


Matrioskids, Villa de Leyva, Colombia, July, August,
and December 2017, and March 2018


Municipal Theatre, Tibasosa, Boyacá, Colombia
October 2017

2018

Matrioskids, Villa de Leyva, Colombia
July, August, and December 2017, and March 2018


Best Theatre Play, Best Director, and Best Actress in the Gathering of Directors and Chiscas
Boyacá, April 2018

Synopsis

Through the Clown Play Mazorca, we seek to invite the audience to gather and contemplate the silliness of a female Clown trying to enjoy a traditional food: corn. The play outlines the importance of this food for health, nutrition and culture, contrasting this with some of the problems that could threaten its cultivation, consumption and preservation. It emphasizes the great richness of corn, and the potential it contains for the cultural subsistence of the communities who share its farming and consumption.

Playing between clowning, contortion, singing and dancing, the character of the play shows the actual relationship existing in our society between food and nature. In a very funny and absurd way, she demonstrates the negative impact that a genetically modified seed can have in the organism, contrasting it with the vitality inside a natural and local product, the corn. It is an invitation to recognize the power and beauty of a healthy meal, and it evidences the importance of planting native and organic trees, fruits and vegetables.

This Play uses the Clown in an attempt to give humor to some of the aspects of food production which-far from wanting to nourish-destroy the earth. This is the case of huge Amazonian terrains deforested because of genetically modified farming and cattle industry. The clowning of the play is a reflection of the real concern for food sovereignty in Latin America. Its purpose is to emphasize the importance of local agriculture and alert the population about the danger of genetically modified seeds for the human body, the earth, and the economic independence of local people.

Photographs by:Camilo Salazar